Mile Posts, 1992 Adelaide Biennial of Australian Art, Art Gallery South Australia.
These works play with block forms constructed in polystyrene and surfaced in ways that are self-consciously 'faked'. The finishes use paint as 'granite', 'stucco' as concrete, sand as ‘stone’, aluminium foil as ‘steel’ and green flocking as ‘vegetation’. The works respond to a culture that preferences manufactured materials and artificial effects. They reflect something that is disturbing as a perversion of heroic traditions.